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Model by: Alessia Carpoca

Wooden columns support a pergola, complete with vines and foliage. Behind is a two-story structure with doors and balconies. A white figure sits, arms crossed, on the edge of a wood planked deck, their feet dangling over the edge.


 

Labyrinth 

By David Reingold

Is the jury still out, then?

Hm.

At least they found me a nice spot to wait.

I know it’s a bit rundown, but if you sort of squint it could be gold.

We used to live in a house of gold, remember? 

I used to rule the world. Seas would rise when I gave the word.

Is that --? 

No.

Come on. Come on. Come on. Come on. I hate waiting!

Is that mistletoe?

As I remember, our first kiss was under the mistletoe. In the woods just behind your house. How times have changed.

I’ve always hated change. And I hate the thought that I’ve changed. Do you think I could have turned out any other way? Or was I set down this path from the minute I was born? If you believe in predestination I guess nothing can ever really change, right? Somehow that’s not a very comforting thought.

But, on the other hand, if you believe in self-determination, then you have free will and one day you make a choice to hop on a train and there’s nothing you can do but ride it to the end of the line.

Be wary of trains, my love. They’re fun, but they only ever take you to one place.

Remember the game we used to play at the train station? We’d hop on a train going somewhere random and then dash off at the last minute before the doors closed. My heart was always pounding so fast. The risk felt real.

And then one day you’re half a second too late and the doors close behind you. You’re on a train going somewhere, you have no idea where, and you stare out the window as the station gets smaller and smaller and smaller behind you. 


 

Audio Recording

Monologue performed and directed by David Reingold


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David Reingold

David Reingold is a lighting designer, writer, and collaborative creator from Roswell, Georgia. He is currently entering his fourth and final year of his BFA program in Lighting Design from Penn State after which he hopes to work designing and developing new works of theatre. David is passionate about ensemble-based creation and about dismantling the barriers that so often exist between the various specializations in theatre. He is currently working on his Schreyer Honors thesis which explores the ways in which the practices of devised theatre can be employed as alternatives to our current, more hierarchical theatre models. David is also a dancer and recently performed in the Penn State Centre Stage dance concert Moving Forward. David is always happy to chat about theatre, life, books, and really anything else. Contact information can be found on his website: davidreingold.net

 
 
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Alessia Carpoca

Alessia Carpoca is Professor of Theatre / Head of Design & Technology School of Theatre and Dance at University of Montana. Alessia’s background includes scenic/costume design, art history, and fine arts. Recently Alessia designed scenery for the The Magic Flute for the opening production in the Old Auditorium, an historic 1925 theatre that, after a $20 million dollar renovation, is the only 530-seat concert hall with a 60-seat orchestra pit in Vancouver, British Columbia. Alessia has designed sets and costumes for seventeen operas for the University of British Columbia School of Music (Vancouver), six of which were co-productions with Metzke Divadlo in Usti Nad Labem (Czech Republic). Many of these productions have toured venues in the Czech Republic and Germany, including the Estates Theatre in Prague (Stavoveske Divadlo). Alessia spent a few years working as a scenic artist and designing scenery and lighting in Italy. She designed scenery for the national tour of the Montana Repertory Theatre production of Cat on a Hot Tin Roof and scenery, costumes and projections for several productions for The University of Montana, where she currently works as the Head of the Design and Technology program. Alessia is an active member of USITT where she serves on the Conference Committee as Trouble Shooter Coordinator. Recently she was the co-tour leader for the USITT study Tour of Czech Republic and Germany and in 2013 she led the USITT study tour to Italy. Most notably for USITT she was the Assistant Project Coordinator for the 2011 USITT-USA Prague Quadrennial exhibit. Alessia holds an MFA in Theatre Design from Northwestern University and a BFA in Scenography from the Academy of Fine Arts of Rome, Italy.


 

Plays

Pityriasis Rosea

Pityriasis Rosea

Don’t Look Down

Don’t Look Down

Promise

Promise

Labyrinth

Labyrinth

Psalm 104

Psalm 104

On Apocalypses

On Apocalypses

The Heath

The Heath